anthology promo
Script created with Final Draft by Final Draft, Inc.
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INT. THE HUB
We're looking at the top of a large, circular, metal
platform, about ten meters in diameter, floating in the
middle of white nothing. Several COMPUTER MONITORS adorn
the outside, with terminals at each one. A large DOORWAY
like device is situated in the middle.
Two TEENAGERS are on top of this platform, both examining
several monitors. One is tall, with dark hair and skin, and
the other is medium sized, in terms of height and build,
Caucasian, with cropped brown hair.
The tall one, ZACK (19), pipes up.
ZACK
Alright, I think I got the demo
tape figures out.
The other one, JAMES (18), nods.
JAMES
Good. We get this going and we
can get back to searching.
James ducks under a workstation, while Zack pulls out a
camera and sets it up on a tri-pod.
ZACK
Whenever you're ready.
James stands, and walks over to the camera, standing
infront of it.
Zack fiddles with the controls for a second, then joins
James.
The camera beeps.
JAMES
(taking a deep breath)
My name is James, and this is
Zack. If you've found this
recording, and this place, then
I'd ask you now not to touch
anything for a few days. We found
out the hard way that things in
here can be dangerous.
Be stops for a moment, taking another deep breath.
JAMES (CONT'D)
With any luck, we'll be back and
leave you a note or another
recording, and set up a meeting
time. Please don't tell anyone
about this place yet.
ZACK
We, ah, call this place "The
Hub." We don't know who built it,
when they build it, or how, or
where this place actually is. All
we know for sure is that the
doorway to here is hidden in...
well, you already found it, I
guess. This place, the monitors
here, anyway, allow us to see
into various futures.
JAMES
We aren't really sure that's
what's happening, of course. It
could be snippets of our future,
or it could even be some
elaborate scam, but-
ZACK
But we don't think so. A lot of
what we've seen here, and, uh, of
what we want to show you, would
take the best and most expensive
special effects devices to pull
off, and even then, we can adjust
how we see these worlds, and what
angle to look at, and it just
seems to be totally limitless.
JAMES
But there are some drawbacks. We
don't know where else this
doorway could possibly lead, even
into one of the futures. We don't
know much of anything about this
place.
ZACK
In the event that we somehow
cannot regain access to this
place, or, y'know, have died, we
will now show you some of the
more basic functions of how this
place works, and what you might
expect to see by using the
monitors here.
They wait for a bit, then:
ZACK (CONT'D)
Alright, cut.
JAMES
(double takes)
What? Cut?
ZACK
What?
JAMES
This isn't a movie shoot, Zack.
ZACK
I know. I'm just... nervous, is
all.
JAMES
That's why you kept cutting me
off?
ZACK
Yeah. Sorry.
JAMES
(shakes head)
Nevermind. I'll review the demo
tape, then.
ZACK
Yeah, I'll write up the script
for the control sequence.
JAMES
It's not a movie shoot, Zack.
ZACK
(sarcastically)
Then I'll wing it.
JAMES
Won't you just get nervous again?
ZACK
Then I'll write up a script.
JAMES
Okay. Whatever.
James heads over to the station Zack was at, sits down, and
punches a few keys.
JAMES' POV
Looking through James' eyes, at the control screen.
The sound of typing is still heard, as long computer
commands are punched into the screen.
Finally, James hits a final key, and the screen displays a
loading screen, which quickly finishes, and brings up a
display of a girl sitting in a room, staring out a round
window into deep space.
The camera moves slowly towards this, closer and closer,
until we make a smooth transition to:
INT. SHIP - TEST ROOM
A GIRL is staring out the window, looking deep into space.
The walls are all a sterile, very light grey, much like the
girl's clothing.
A mechanical voice is heard, loud and clear, although no
speakers are visible.
VOICE
Todays plan: Testing the nervous
system.
The girl doesn't respond.
VOICE (CONT'D)
The goal of this test is to
examine the sense of touch.
GIRL
You won't understand. You can't
feel anything.
VOICE
The goal is to analyze and
reproduce a nervous system.
The girl shakes her head, but stands, and heads for the
wall opposite to her.
As she approaches, a faint outline of a door appears in the
wall, and the inside of this outline moves outwards, and
slides off to the side.
VOICE (CONT'D)
This is a follow up of
yesterday's test, where we
examined the sense of taste. The
goal of yesterday's test was to
analyze and reproduce taste buds.
The girl exits the room, and the door closes behind her.
CUT TO:
EXT. PARK - STAGE - AFTERNOON
A MAN is standing on a steel stage in a large field, waving
his arm at a rather large cheering crowd.
A SHOT rings out, striking the man in the chest, and
sending him to the ground.
UNKNOWN (V.O.)
We believe you. We just don't
believe in you.
CUT TO:
EXT. CITY - SKYSCRAPER ROOFTOPS - AFTERNOON
Looking down at the ground, apparently from the top of a
skyscraper.
A small dot down below, a person, is seen rapidly getting
larger, bringing a SUPERHERO into view. All we catch of him
is a blue costume, and crackling energy, before he flies
past the camera, grinning.
INT. HERO'S APARTMENT - NEXT
The Hero lands in his apartment, through the window, and
pulls off his mask.
He looks up to see someone there, looking amazed to see
him.
Looking pissed off, The Hero turns around and flies out of
the window.
INT. BAR - NEXT
The hero, now in civilian clothes, drinks out of a large
bottle in a bar, clearly intoxicated.
EXT. CITY - AFTERNOON
The Hero, flying at eye level with a fifty-foot monster, a
cross between a gorilla and an ape. The Hero PUNCHES the
beast across the snout, then FIRES a beam of energy at it,
causing a large EXPLOSION.
CUT TO:
INT. CHURCH - NEXT
Inside a large, well-furnished church, a young woman is
giving a sermon.
We focus on one man in the crowd, a moustached, bald MAN.
This Man seems to be unreadable.
VOICE (V.O.)
I want you to infiltrate this
religion and bring it down, if
necessary.
MAN (V.O.)
All due respect, sir, but
religious persecution? Is that
what we're about now?
The man crosses, then uncrosses his legs, agitated.
EXT. SPACE - NEXT
Several ships fight one another in the vacuum, firing
lasers at each other, destroying fighter after fighter.
UNKNOWN FEMALE (O.S.)
(filtered, through
radio)
They're killing each other!
BLACK OUT:
TITLE OVER:
ANTHOLOGY
JANUARY 10th, 2009
ONLY ON GVP
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Script created with Final Draft by Final Draft, Inc.